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英语答辩常见问题(2)

来源:学术堂 作者:任老师
发布于:2017-05-04 共4944字
 附:答辩自述范文
 
  Good morning, all appraiser committee members. I am Liu Danwei, my tutor is jing-lan yan. Her constant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any correction.
  早上好,所有评估委员会成员。我是刘丹伟,我的导师是蓝燕。她的不断鼓励和引导,我已经完成了我的论文。现在,它的显示时间。你和我将努力工作,欢迎任何更正。
  The topic of my thesis is 《Angela carter to mythology research - the female archetype in “new eve passion”, for example》。 I choose this as my topic due to the following reasons.
  我的论文题目是《安吉拉·卡特神话研究在“新夏娃的激情”的女性原型,例如》。我选择这个作为我的话题,由于以下原因。
  Angela Carter (1940-1992) is an outstanding feminist writer whose influence on Britishwomen's writing was “pivotal in this opening and transformation” [“23]. The year 2014 represents the 22”^ anniversary of Angela Carter's death. In those twenty-two years, her works have been widely taught internationally and brought about much critical debate. In a survey conducted by Cristina Bacchilega and Danielle M. Roemer [2],Carter is one of the most commonly taught women writers on North American programs. She has endowed us with an amazingly large number of legacies in her comparatively limited life, setting foot in various fields such as novels,short stories,children stories, dramas, non-fictions and so on. The acute observations with great insights,as well as the devastating wit and poignant mockery in Carter's works have made her stand out as an iconic figure in English literature. Many scholars and critics have devoted themselves to the research on Angela Carter from many perspectives,including gothic, magic realism, feminism,post-modernism and so on. As a prolific writer who is always ready to blur the boundaries between different genres, Carter has left us a wonderful world to delve into.
 
  安吉拉·卡特(1940-1992)是一位杰出的女性作家对Britishwomen写的是“关键在这个开放和转型”[ 23 ].2014年是安吉拉·卡特逝世22周年纪念日。在这二十二年里,她的作品在国际上得到广泛的教育,并引起了许多批评。在Cristina Bacchilega和Danielle M. Roemer [ 2 ]进行了一次调查,卡特是一种最常用的教女性作家在北美的程序。在她有限的生命中,她给我们留下了惊人的大量遗产,涉足小说、短篇小说、儿童故事、戏剧、非小说等各个领域。敏锐的观察和深刻的洞察力,以及毁灭性的机智和辛酸的嘲笑在卡特的作品,使她脱颖而出,作为一个标志性人物在英国文学。许多学者和评论家都致力于从多角度研究安吉拉·卡特,包括哥特、魔幻现实主义、女权主义、后现代主义等。作为一个多产的作家,他总是准备模糊不同流派之间的界限,卡特给我们留下了一个美妙的世界来探究。
  With the emergence of western women's movement as well as the development of feminist criticism in the 1960s,the feminist approach has become a potent weapon for those who are concerned with the emancipation and legal rights of women. Though women's social status has considerably improved due to the contribution made by countless predecessors,the fundamental problem still lingers on. Carter, with her versatile and avant-garde reputation, is best known as a feminist writer. Concerning the dilemmas and predicaments faced by women nowadays,it is very necessary for us to probe into her insightful and penetrating reflections on femininity as well as the relationship between two genders. The Passion of New Eve, as one of Carter's most representative works, is of great value in the research of her feminist thoughts and propositions.
  随着西方妇女运动的出现以及20世纪60年代女性主义批评的发展,女性主义的方法成为了关注妇女解放和法律权利的有力武器。虽然女性的社会地位得到了极大的改善,由于无数的前辈的贡献,根本问题仍然停留在。卡特以其多才多艺和前卫的名声,被誉为女权主义作家。对于当今女性所面临的困境和困境,我们有必要探讨她对女性气质的洞察和渗透,以及两性之间的关系。《夏娃的激情》作为卡特最具代表性的作品之一,在其女性主义思想和命题研究中具有重要价值。
  Next, is my paper outline. In the main part of this article, I put it into five parts..
  其次,是我的论文提纲。在本文的主体部分,我把它分为五个部分。
  Chapter one is an introduction to the thesis, covering the research background, theobjective and significance as well as the organization of the thesis.
  第一章是对论文的绪论,包括研究背景、目的和意义以及论文的组织。
  Chapter two presents a broad picture of Angela Carter's life and her works, as well as the background information about The Passion of New Eve. It also reviews previous studies on Angela Carter and her works at home and abroad, summarizing achievements in the past and pointing out new directions in the future.
  第二章介绍了安吉拉·卡特的生平和作品,以及新夏娃激情的背景信息。回顾了安吉拉·卡特及其作品的国内外研究现状,总结了前人的研究成果,指出了今后的发展方向。
  Chapter three conducts a retrospective study on feminism and archetypal criticism. The author attempts to work out the origin and development of feminism, demonstrating the important role feminism plays in Carter's life. Then is the history of archetypal criticism,as well as those classic female archetypes in mythology. Regarding those fossilized and monotonous images as impediments to women's freedom and liberation,Carter endeavors to shatter them in her demythologizing strategy and appeals for a rational attitude toward heterosexual relationship.
  第三章对女性主义和原型批评进行了回顾性研究。作者试图揭示女性主义的起源和发展,论证女性主义在卡特生活中的重要作用。其次是原型批评的历史,以及神话中的经典女性原型。对于那些僵化和单调的图像作为女性的自由和解放的障碍,卡特努力打破他们在她去神话化策略并呼吁对异性关系的理性态度。
  Chapter four is the main body of the thesis. Through an in-depth analysis on The Passion of New Eve,it demonstrates Carter's demythologizing of “The Temptress,,,”Mother Goddess“and ”Eve“ respectively in the text. Leilah,the embodiment of Delilah,the famous temptress in the Bible,cannot escape the fate of being objectified by men and herself. By exposing”temptresses“ as mere victims rather than symbols of viciousness. Carter condemns the oppression and exploitation of women in a patriarchal society. ”Mother“ in Beulah serves as a severe satire on those mother goddesses in mythology. Carter smashes the legend by revealing the surgically-made essence of mother and the patriarchal values lurking behind her alleged matriarchal kingdom, warning against the peril and impracticality of extremist matriarchy.And her most convincing example goes to Eve, the most important female character in the Bible, Her transformative journey from a chauvinist to a real woman in the story illustrates that gender, rather than a hereditary feature, is the result of social influence and unremitting imitations. Carter concludes the story with proposing ”androgyny“ as a solution to the current problems,implying that mutual respect and understanding is the only way to achieve the harmony between the two genders.
  第四章是论文的主体部分。通过对新夏娃的激情的深入分析,论证了卡特的神话”妖妇,“母亲女神”和“夜”分别在文本。Leilah,利拉的化身,圣经中着名的妖妇,无法逃脱被物化的人的命运和自己。通过揭露“妖妇”仅仅作为受害者而不是邪恶的象征。卡特谴责父权制社会中妇女的压迫和剥削。“母亲”在Beulah作为神话中的女神母亲严厉的讽刺。卡特摔破的传说揭示了本质的手术和母亲躲在她所谓的母系王国的宗法观念,警告的危险和极端母权制不切实际。和她最有说服力的例子是夏娃,圣经中最重要的女性角色,从一个大故事中的一个真正的女人,她的转变的旅程说明性别,而不是一种遗传特征,是由于社会影响和不懈的模仿。卡特以“双性同体”作为解决当前问题的结论,这意味着相互尊重和理解是实现两性和谐的唯一途径。
  Chapter five comes to a general conclusion, summarizing the limitations of the theses as well as some suggestions for further study.
  
  第五章为结论,总结了论文的局限性,并提出了进一步研究的建议。
  OK! That is all. Thank you! Please ask questions.
  好了!就这些了。谢谢您!请提问。
 
 
 
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