表演论文

您当前的位置:学术堂 > 艺术论文 > 表演论文 >

萧芳芳的表演魅力探析

来源:学术堂 作者:周老师
发布于:2016-07-04 共2614字

    本篇论文目录导航:

【题目】萧芳芳的表演魅力探析 
【第一章】萧芳芳从影经历及其代表作品绪论 
【第二章】萧芳芳香港电影的文化历程 
【第三章】萧芳芳的镜头前表演 
【第四章】萧芳芳在表演中的动作分析 
【第五章】电影演员萧芳芳的魅力 
【结语/参考文献】萧芳芳的表演理论和实践研究结语与参考文献



  摘 要

  萧芳芳在香港电影界有着极大的影响力,她六岁从影,她的处女座《小星泪》,距今已时隔半个多世纪。在她从影的五十多年中,拍摄了三百多部影片,多次在国际、国内获奖,是一个不断努力实现自己梦想的超凡女星。

  萧芳芳 9 岁时在电影《梅姑》中饰演女主角童年时期,获得了第二届东南亚影展最佳童星奖。一度被称为中国的邓波儿。1974 年,萧芳芳出演的《女朋友》一片,得到了台湾金马奖最佳女配角奖,又以《海韵》一片,荣获了了西班牙影展最佳女主角奖。而后,萧芳芳唯一的一部电视剧《秋水长天》,在台湾获得了金钟奖最佳女主角,萧芳芳在这部电视剧中的表演风格也给台湾电视剧的发展带来了不小的影响。1987 年,萧芳芳以影片《不是冤家不聚头》,拿下了第七届香港电影金像奖最佳女主角的奖杯。1995 年,萧芳芳风光更胜,她所出演《女人,四十》一片,在第 45 届柏林电影节上荣了最佳女主角奖,并在台湾与香港等电影节上五次登上领奖台,成为香港同年获奖记录的保持者。1994 年她因《抢钱夫妻》和《方世玉》两部影片,两度被香港电影金像奖最佳女主角提名。1996 年,萧芳芳主演的《虎度门》在台湾金马奖和亚太电影节两次获最佳女主角奖。2007 年,在第一届的亚洲电影大奖的颁奖礼上,评委组就把“亚洲电影杰出贡献奖”颁给了萧芳芳。2009 年,萧芳芳实至名归地获得了第 28 届香港金像奖终生成就奖。

  在萧芳芳五十多年的从影生涯中,她从一个对电影一无所知的小女孩,到能够在荧幕上塑造千面的香港影星,再到能够真正在戏中活着的影后,至今她已经是非常受人尊敬的社会公众人物。萧芳芳的表演风格多样化,无论塑造什么样的人物角色都非常成功,她的表演时而幽默诙谐,时而朴实自然。本文通过对萧芳芳五十多年的从影经历及其代表作品进行一次比较全面的整理,并运用相关的表演理论对萧芳芳不同时期,不同风格作品的表演进行分析,透过萧芳芳的表演总结成功经验,丰富现有的表演理论和实践。

  关键词:镜头前表演,动作,演员魅力

  ABSTRACT

  Josephine Siao has a great influence in the Hong Kong film industry, she is sixyears old from the film “Star”, her Virgo tears, after more than half a century ago. Shehas been in fifty years, shooting more than 300 film, has won numerous awards in theinternational, domestic, is a continuous effort to achieve their dream of extraordinaryactress.

  Eliza was once known as Hong Kong fans Chinese Xiu Lan Deng Boer. Who playsthe heroine in the movie “childhood” Mui in the age of 9, won the best child actor awardat the second Asian Film festival. In 1974, Josephine Siao with “girlfriend” and “Rhine”two films, respectively won the Taiwan Golden Horse Award for best supporting actressand the Spanish Film Festival Award for best actress. After that, she only in a series of“Taiwan in the autumn day long”, won the best actress award, and has a great impact onthe development of Taiwan style and drama. In 1987, she again with “strangebedfellows” this film won the seventh Hongkong Film Awards for best actress. In 1995she starred in “women forty” in the forty-fifth Berlin Film Festival won the best actressaward. Later, in Taiwan and Hongkong has five times and therefore holding the bestactress award, breaking the Hongkong actress awards. In 1994 she was in “Fang Shiyu”and “two” rob husband and wife in the film show, at the same time by the HongkongFilm Award for best actress nomination. In 1996 and starred in “tiger” door in the AsiaPacific Film Festival and the Taiwan golden horse award twice won the award for bestactress. In 2007, the first session of the Asian Film Awards, the group put the “AsianFilm Award for outstanding contribution” to Josephine Siao. In 2009, Josephine Siaowon the twenty-eighth Hongkong Award for lifetime achievement award.

  Josephine Siao in more than 50 years from her film career, one of the film aboutthe little girl, to be able to shape freakly Hongkong movie star on the screen, and then tolive can really play in the film, since she is a public figure very respected. JosephineSiao's acting style diversification, no matter what kind of shape characters are verysuccessful, her performance is sometimes humorous, sometimes simple and natural.

  This paper made a comprehensive research on Josephine Siao fifty years of workingexperience and representative works, and using the related theory of performance ofJosephine Siao in different periods, different style of performance analysis, JosephineSiao's performance through summarizing the successful experience, enrich the existingtheory and practice.

  Key words: In front of the camera, action, actors performing Charm


    目 录

  中文摘要

  英文摘要

  1 绪 论

  1.1 选题背景及选题意义

  1.2 选题目前的研究状况

  1.3 本选题研究方法及重点、难点

  1.3.1 论文的研究目的

  1.3.2 论文的研究内容

  1.3.3 研究难点

  1.4 论文的创新之处及你解决的问题

  2 概 述

  2.1 萧芳芳简介

  2.2 萧芳芳香港电影的文化历程

  2.2.1 童年时期--苦难与泪痕

  2.2.2 侠女与美少女--悲愤的宣泄与对现实的不满

  2.2.3 寻求本土化多元化

  3 萧芳芳的镜头前表演

  3.1 电影表演

  3.2 萧芳芳电影表演中视觉元素分析

  3.2.1 萧芳芳的镜头感

  3.2.2 萧芳芳在不同景别中的准确表演

  3.2.3 萧芳芳对“运动”的掌控

  4 萧芳芳在表演中的动作分析

  4.1 语言动作

  4.2 形体动作

  4.2.1 萧芳芳的形体动作技能

  4.2.2 人物形体动作

  4.3 心理动作

  5 电影演员萧芳芳的魅力

  5.1 萧芳芳的本色魅力

  5.2 萧芳芳的创造魅力

  5.2.1 性格化

  5.2.2 幽默感

  5.3 萧芳芳不衰的魅力

  6 结 语

  致 谢

  参考文献

返回本篇论文导航
相关内容推荐
相关标签:
返回:表演论文