目 录
摘要
Abstract
绪论
一、选题的目的和意义
二、研究的主要内容和基本观点
三、国内外研究现状
（一）国内研究现状
（二）国外研究现状
四、研究方法
第一章 莫扎特与舒伯特生平简介
一、莫扎特生平简述
二、舒伯特生平简述
第二章 莫扎特与舒伯特艺术歌曲比较研究
一、代表作品简要介绍
（一）莫扎特代表性艺术歌曲
（二）舒伯特代表性艺术歌曲
二、声乐部分的分析与比较
（一）音乐与诗歌的融合
（二）前奏与主题的形成
（三）声乐旋律
三、钢琴伴奏与音乐形式结构
（一）钢琴伴奏
（二）调式调性与和声风格
（三）音乐形式与整体结构
四、演唱上的特色比较概述
（一）演唱时声音音色的把握
（二）演唱时乐句、歌词的处理
（三）演唱时气息的运用
五、本章小结
第三章 作品情感内涵比较研究与艺术价值
一、音乐的情感内涵比较研究
（一）莫扎特与舒伯特的个人情况、社会历史环境
（二）音乐的表现性质与音乐风格
二、作品的艺术价值
结语
参考文献
致谢
摘 要
艺术歌曲属于声乐作品体裁范围之内，大体上的定义可以界定为：“18 世纪末19 世纪初，在欧洲盛行的一种抒情歌曲。结构短小，歌词多采用诗歌且文学性较强，声乐部分和钢琴伴奏都具有一定艺术性的声乐作品。艺术歌曲是由诗歌与音乐结合而共同完成艺术表现任务的一种音乐体裁，其名称因浪漫主义音乐大师舒伯特的作品而确立，成为一种独立类型的歌曲种类。它结合了优美旋律和人声两个最具有普遍感染力的音乐因素，使艺术歌曲具有较强的表现力和欣赏性，是十九世纪浪漫主义音乐一种独特的艺术表现形式。在艺术歌曲形成的过程中，古典主义时期的莫扎特进行了非常重要的创作尝试。莫扎特的艺术歌曲虽然在数量占其所有作品的比例很小，但大多是具有细腻构思、精准创作技巧的上乘之作，具有研究的意义。而且在整个艺术歌曲尤其是德语艺术歌曲利德（Lied）的发展、定型、成熟的过程中，莫扎特艺术歌曲的创作起到了非常重要的作用，不同程度上影响了舒伯特、舒曼艺术歌曲的创作，也为这门体裁的最终确立作出了重要的贡献。而这一体裁最终在舒伯特的创作中完善、定型，并且得到了极大的发展，舒伯特可以说作出了很大的贡献。舒伯特一生创作了 600 多首艺术歌曲，有”歌曲之王“的称呼，可见其在艺术歌曲上的成就是非凡的。舒伯特上乘莫扎特、贝多芬，下起浪漫主义作曲家，尤其是最终完善了艺术歌曲这一音乐体裁，并对其经行了充分的发展。舒伯特所创作的大量艺术歌曲对舒曼等作曲家的创作，甚至是后世音乐的表现特征都产生了极大地影响。
本文的研究对象主要是选取了莫扎特、舒伯特两位作曲家具有一定代表性的艺术歌曲，在分析的基础上进行比较研究。全文可以分成三个部分，第一部分是绪论，在绪论中主要交代了本文的选题目的和意义，研究的主要内容以及研究的方法。第二部分是正文部分，正文共分为三章。第一章是简要介绍两位作曲家的生平经历，并且以生平为线索介绍了其艺术歌曲的创作概况。第二章是核心论述部分，主要从作品的外在形态方面出发，在作品的和声技法、形式结构、诗乐结合、声乐旋律与钢琴伴奏等方面进行分析，并在此基础上进行比较研究。第三章是通过对两位作曲家生活的年代的社会历史环境以及自身经历的分析，对作品深层次的情感内涵进行比较研究。第三部分是结语，主要对本文论述的核心点行进重点总结。
关键词 莫扎特；舒伯特；艺术歌曲；比较研究
Abstract
Art songs within the music genre, roughly defined can be defined as: ”at the end ofeighteenth Century and early nineteenth Century, in a lyric song in europe. Shortstructure, with lyrics and poetry literature is strong, vocal and piano accompanimentpart has a certain artistic works of vocal music. Art song is from poetry and musiccombined together to accomplish artistic mission of a genre of music, its name due toRomanticism musician Schubert's works and established, become a kind of independenttype of song. It combines the beautiful melodies and vocal two most has the universalappeal of music and the art songs with strong expressive force and appreciation, is theromantic music in the 19th century a unique form of artistic expression. During theformation of art songs, a very important creation to the classical period of Mozart.
Mozart's artistic songs, although the number of accounts for all his works in a verysmall proportion, but mostly with delicate design, precise creative skills of the superior,has the significance of the study. And in the whole art songs especially the developmentof German art songs lied lied, stereotypes, mature process, the creation of Mozart's artsongs to the very important role, different extent affected the creation of Schubert,Schumann s art songs, but also made an important contribution to the finalestablishment of the genre. While the genre of Schubert in the final in the creation ofperfect stereotypes, and got great development, it can be said that Schubert has made agreat contribution. Schubert wrote over 600 songs, “the king of songs” the call, can beseen in the art songs of the achievement is remarkable. Schubert, Mozart, Beethovenfine, romantic composers began, especially the final perfection of art songs of this genreof music, and the line through the full development. A large number of art songs ofSchubert's creation of composers such as Schuhmann's creation, and even have greatlyinfluenced later music features.
The object of this paper is the selection of the Mozart, Schubert two composer withcertain of the representative art songs, a comparative study on the basis of the analysis.
The full text can be divided into three parts, the first part is the introduction, in theintroduction mainly introduces the purpose and significance of this topic, researchcontents and research methods. The second part is the body, the body is divided intothree chapters. The first chapter is the brief introduction of the two composers lifeexperience, and life as the clue to introduce the creation of art songs. The secondchapter is the core part, mainly from the aspects of composition techniques of analysisin conjunction with a novel harmonic technique, form structure, poetry and music, vocalmelody and piano accompaniment, and on this basis for comparative study. The thirdchapter is based on the two composers in the life of the social and historicalenvironment and analysis of their own experiences, a comparative study of the works ofdeep emotional connotation. The third part is the conclusion, the main point of thispaper. The core key summary.
Key words: Mozart; Schubert; art songs; comparative study.
