摘 要
随着信息时代的飞速发展，各个国家，各个地区，甚至每个个体单位都在通过纷繁的传播媒介进行着交流。交流的极度方便与频繁也就决定了全球化的到来。经济的全球化和世界的一体化使得世界上不存在任何一个绝对封闭的生存空间，那么文化的彼此交叉与渗透也成为必然，各种文化在交锋中激烈地碰撞与融合，文化多元化成为全球化时代的必然趋势。电影作为跨文化传播的重要媒介，在全球化的文化生活中发挥着日益重要的作用。而通过研究李安的电影中的跨文化传播方式，可以去更深入的解读异国的生活方式、社会习俗、价值体系、道德标准等表层和深层的文化。
作为一位跨文化的电影作者，展现东西方文化的冲突与并存自然成为李安电影的重要叙事主题。既深受中国传统文化的熏陶又接受西方的思想教育，在展现生活的外在表象时，绝不是流于肤浅，而是有着深刻的切肤感受，他的影片中也处处渗透着关于文化的深度思考。“李安一方面对传统文化表现出深刻的情感理解与认同，另一方面对传统文化在现代情境中的危机和缺陷又有清醒而自觉的文化体察。他站在更高的文化层面上，指出了在现代的全球化的背景下，东方和西方，传统和现代两种文化之间不是此消彼长，相互对立的关系，而是你中有我，我中有你，互相渗透，彼此共存。”李安具有独特的文人气质和传统人文精神，并以其敏锐的洞察眼光和悲天悯人的博大情怀，从多种文化的交汇冲突融合的层面对文化和人性进行了具有哲理性的深层次思考，表达着东方文化和中国人的伦理道德和情感追求。
关键词：李安电影，东方情感，中西融汇，跨文化传播
Abstract
With the rapid development of the information age, each country, each region,even each individual units are in the numerous media communication.
Communication is extremely easy and frequent will determine the globalization. Theintegration of the economic globalization and the world makes any absolutely closedliving space does not exist in the world, then cross each other and infiltration ofculture has become inevitable, all kinds of culture in the encounter fierce collision andfusion, cultural diversity has become an inevitable trend in the era of globalization.
The film as an important medium of cross-cultural communication, plays anincreasingly important role in the globalization of culture life. And through the studyof Ang Lee in the film cross-cultural dissemination way, you can interpret the exoticmore in-depth way of life, social customs, values, moral standard system of surfaceand deep culture.
As a cross-cultural film author, show the East West cultural conflicts and co-existnaturally become an important narrative theme of Ang Lee's film. Not only wasdeeply influenced by Chinese traditional culture and accept the ideological educationof the west, in the external appearance show the life, is not superficial, but has cutskin deep feelings, his movie also permeates deep thinking on culture. “Ang Lee onthe one hand, traditional culture showing emotion understanding and recognition ofthe profound, on the other hand, the crisis of traditional culture in the modern contextand defect and sober and self-conscious culture introspect. He stood at the culturallevel higher, it is pointed out that in the modern context of globalization, East andWest, between the traditional and the modern two kinds of culture is not reciprocal,relationship, in opposition to each other but you have me, I have you, mutualpenetration, mutual coexistence.” Ang Lee has a unique temperament of literati andthe traditional humanistic spirit, and the keen insight to the broad mind vision andcompassion, made deep thinking with the philosophy of culture and human naturefrom the face of the conflict intersection fusion layer of culture, the oriental cultureand the expression of Chinese ethical and moral and emotional pursuit.
Keywords: Ang Lee film; Eastern emotions; integration of Chinese and Western;intercultural communication development
目录
摘 要
Abstract
目录
绪论
一、选题的目的与意义
二、研究的内容与方法
三、相关文献研究综述
第一章 电影艺术与跨文化传播
一、跨文化传播及其内涵分析
1.跨文化传播现象及其历史
2.跨文化传播的意义和价值
二、电影作为跨文化传播媒介
1.视听语言跨文化的媒介特点
2.电影作为跨文化的传播使者
三、李安电影中的跨文化特征
1.李安导演的跨文化背景
2.李安电影的跨文化表现
第二章 主题与情感的跨文化选择
一、人性与自由：跨文化的电影母题
1、对权威与秩序的反抗
2、对本我和情感的表达
二、情感与伦理：合人道的共性关注
1、道德与情，价值与理
2、文化融汇，追求自我
第三章 形式与风格的跨文化表达
一、白描与意味：东方美学的自然风格
二、情节与叙事：曲而不折的故事讲述
三、影像与技巧：凝练顺达的零度剪辑
第四章 中国电影的跨文化传播
一、文化资本的电影发掘
1.电影媒介价值的再认识
2.传统文化资本的再发掘
3.电影形式创意的再表达
二、电影文化的中西合璧
1.对特性文化进行双重编码
2.对共性文化进行特色表达
三、跨文化的兼容与认同
1.国际文化的兼容并蓄
2.关注人类的共性心理
3.重视传播的受众分析
第五章 讨论与总结
参考文献
致 谢
