摘 要
布贴是“补丁”的一种艺术衍化形式，在民间社会生活中有着广泛的运用。对其艺术形式及其工艺制作手法的研究，涉及民族性、历史性、文化性等方方面面，也深刻地反映出民间社会、经济、文化生活诸方面的关系。
贵州是个多民族的省份，有着丰富多彩的民族民间文化，布贴这种艺术形式也广泛植根于贵州民族生活中。布贴形式的多样性和制作工艺的复杂性，具有较强的地域文化特征，也有着较高的艺术价值和文化价值。对其深入的调查和研究，不仅是民族的、历史的、地域的，同时也是现代的。
本文运用民族学、艺术人类学、美术学、图像学等研究方法，深入到贵州各民族社会生活中，做了大量的田野调查，收集了第一手民间布贴资料，对其纹样、艺术风格、文化意蕴进行分析研究。布贴作为一种综合的艺术形式，其装饰手法过去常归类于刺绣等具体形式中，而忽略了布贴的存在，本文予以拈出，还原其本来面目；布贴在贵州各民族社会生活中的运用，有着丰富多彩的制作工艺形式，其特殊性往往不被重视。本文在田野调查的基础上，作了较为深入的记录；民间艺术作为一种活态存在，附着于自给自足的农业经济社会中，随着现代生产生活方式的演进，不可避免地陷入深层危机，如何传承与发展，既是国家文化战略思考的问题，也是多元文化存在的价值意义体现。本文在对民间文化产业发展的调查中，也特别关注了布贴在现代产业中的应用，并提出了自己的看法。
关键词：布贴；民族民间；贵州
Abstract
Fabric patch is an art form derived form “patch”, which has been widely used incivil society life. Its research, in art form and fabrication techniques, is involvingethnic, historical, cultural and other aspects, and provided a profound reflection of therelationship between civil society, economic and cultural aspects of life.
Guizhou is a multi-ethnic province with rich and colorful folk culture. Fabricpatch, as an art form, is also widely rooted in Guizhou ethnic life, which pattern isdiversity and production process complexity. It possess a strong geographical andcultural characteristics, and has high artistic value and cultural value. Its furtherinvestigation and research, are not only ethnic, historical, geographical, but alsomodern.
In this paper, a lot of field surveys are made to collect first-hand informationabout civil Fabric patch from the social life of all ethnic groups in Guizhou withethnology, anthropology of art, fine arts, graphics and other research methods. Andthe research is made on its style patterns, art, cultural implications. Because Fabricpatch as a comprehensive art form, items with it's decorative technique , are oftenclassified in particular in the form of embroidery in the past, while ignoring thepresence of Fabric patch be. This thesis presents it's true from fuzzy. The use ofFabric patch, in various social life of ethnic groups in Guizhou, possesses a variety offorms of craftsmanship, whose specific characteristics are without taking into account.
Based on field investigation, we made a more thorough record. Folk art exists as aliving state, attached to the economic and social self-sufficiency in agriculture. Withthe evolution of modern production and lifestyle, will inevitably fall into a deeplycrisis. How to inheritance and development, are the questions of national and culturalstrategy,also the significance reflects of multicultural presence. In this paper, specialattention is attached to the application of Fabric patch in modern industry whilesurveying the development of folk culture industry, and some suggests are puttedforward.
Keywords: Fabric patch ; National folk ; Guizhou
目 录
第一章 绪论
1.1 布贴释义
1.2 国内外研究综述
1.3 研究意义及方法
第二章 贵州民间布贴概况
2.1 布贴溯源
2.2 布贴分布
第三章 贵州民间布贴的运用及制作工艺
3.1 布贴的运用
3.2 布贴的制作工艺
第四章 贵州民间布贴的艺术特色及文化内涵
4.1 布贴的纹样分类
4.2 布贴的艺术风格
4.3 布贴的文化内涵
第五章 贵州民间布贴在现代设计中的应用及思考
5.1 布贴在现代设计中的应用
5.2 布贴的传承与发展
结语
参考文献
致谢
