摘要
谈及舞蹈作为舞台表现的艺术特征，常常被认为是不善于叙事的艺术形式，这种观点是否准确？是否达成共识尚且不论，但是，从舞剧具有戏剧叙事的特点来看，它必须使用结构、使用动作的形象和语言讲述故事，是不可回避的问题。舞蹈如何将文学作品转化为舞剧手段，又转化为舞蹈的特殊表达方式，成为一个难度较大、不断探索的创作问题。这个过程中要兼顾人物性格，还要准确选择事件冲突，更重要的是需要在一个有限的时间内完成一个故事的容量，为了更好地帮助观众理解剧情，需要借助大屏幕滚动字幕的方式，由此，说明舞剧在叙事时的局限性。舞剧创作还有一种“轻叙事”创作手法，所谓“轻叙事”是指将原着中的能够反映人物性格的事件进行提炼，进而加以串联，通过人物之间的关系去展示情节的内容。本文的研究就是通过双人舞的表演关系，探析如何推进舞剧创作和表演的人物与事件的表现和发展。我表演的舞剧《情缘》选自徐志摩、张幼仪，林徽因和陆小曼三人错综复杂的情爱关系，人物之间既有情感关系，又促发了事件情节的发生，为了将这种表演关系分析清楚，设置了“原型人物说”，“双人舞叙说”和“情感视线关系”
三个方面进行具体分析，以此获得实践的感悟收获和理性认知的成果。
关键词：舞剧 双人舞 表演关系。
ABSTRACT
Dance has long been regarded as a poor narrative art, and it's hard to judgewhether it's right or wrong, but at least in terms of the composition of dramaticnarratives, it's really hard to say that you're good at telling events directlyin terms of language. This has also made the adaptation of literary works to danceplays a more difficult process of artistic creation. In this process, we shouldtake into account the character of the characters, choose the conflict of eventsaccurately, and, more importantly, it needs to be completed in a relatively shorttime. Many of the adaptations bear the burden of overnarration, which forces thedirector to write text and roll through a large screen, previewing the events thatfollow. In fact, there is also a "light narrative" approach to the creation of danceplays. The so-called light narration refers to the refinement of events in theoriginal works that reflect the character of the characters, and then concatenatethem in series. Through the relationship between characters to promote thedevelopment of plot. The study of this article is to study the relationship betweencharacters and events created by the dance drama from the perspective of theperforming relationship of the double dance. This play is selected from Xu Zhimo,Zhang Youyi, Lin Huiyin and Lu Xiaoman have a complex relationship of love and love.
The characters have not only emotional relations but also the occurrence of theincident plot. In order to analyze this kind of performance relationship clearly,This research has set up "the prototype personage outline", "the double dancemovement analysis" and "this dance segment line of sight relation" three levelsof the specific analysis, in order to hope to carry on the thorough elaboration.
KEYWORD：dance dramas double dances acting relationships
目 录
绪 论
（一）选题的目的和意义
（二）研究方法
一 “牵勉关系双人舞”表演关系分析
（一）张幼仪原型人物说
（二）创作提炼法
（三）双人舞视线关系
二 热恋双人舞表演关系分析
（一）林徽因原型人物说
（二）动作分析
（三）双人舞视线关系
三 爱恨交织双人舞表演关系分析
（一）陆小曼原型人物说
（二）动作分析
（三）尾声的视线关系
结 语
参考文献
