摘要
20 世纪 90 年代以来，随着城市化步伐的加快和网络媒介的兴起，后现代消费主义文化开始在中国社会的文化语境中大行其道。在其影响下的中国文学从万众瞩目的中心转向社会生活的边缘，呈现出产业化和类型化的特点，盗墓题材小说也在这样的背景下产生和发展起来。本文从三个方面出发，在消费文化语境的大背景下，对盗墓题材小说进行分析探讨，以期加深对于在年轻的读者群中有着广泛影响的盗墓题材小说的认识和理解。
第一章通过解读盗墓小说产生的时代背景和文化背景，分析了盗墓小说的兴起之路。其中，时代背景主要表现在消费文化的出现和网络媒介的兴起。文化背景表现在神话传说、民间文化、宗教鬼神信仰、古代笔记小说中的盗墓叙事、好莱坞电影、各领域专业知识等方面。
第二章利用普罗普结构叙事理论，对盗墓小说的叙事模式进行了归纳和整理。选取多部有代表性的盗墓题材小说作为研究对象，从中概括得出 16 个基本功能项，试图寻找出其叙事结构中蕴含的意义。由这 16 个功能项构成的叙事模式可以归纳成四个叙事阶段：一、盗墓之前的准备；二、寻墓；三、墓中的冒险之旅；四、出墓：是结束，也是新的开始。
第三章从美学角度对盗墓小说的语言、写作特色进行分析，反映了它在消费文化语境下，表现出的大众的娱乐性的精神诉求，并揭示了盗墓小说的优点和缺陷。
当然，本文只是抛砖引玉，希望有更多关于盗墓小说的研究出现，以规范作者的创作活动，拓展小说的发展空间，丰富人们的精神文化生活。
关键词：
盗墓小说，消费文化，叙事模式，审美建构，类型小说
Abstract
Since the 1990s, with the rise of the gradual establishment of the socialist marketeconomic system, accelerate the pace of urbanization and network media, postmodernconsumer culture is beginning to flourish in the cultural context of Chinese society.
Under the influence of Chinese Literature to the edge of the center from the highlyanticipated social life, showing the industry and the type of characteristic, produced anddeveloped Tomb novels are such a backdrop. From the viewpoint of three, in the contextof consumer culture in the context of the Tomb novels were analyzed and discussed, inorder to deepen respect has a broad impact on young readers of novels Tomb ofknowledge and understanding.
The first chapter novel interpretation Tomb generated background and culturalcontext, analyzing the rise of the road to the Tomb novels. Among them, the backgroundappears mainly in the rise of consumer culture and network media. Cultural backgroundreflected in myths and legends, folk culture, religious belief spirits, the ancient Tombnotes novels narrative, Hollywood movies, etc. in various fields of expertise.
The second chapter structure Propp use narrative theory, Tomb of the narrative modeof induction and consolidation. Select multiple representative Tomb novels as researchsubjects, which are summarized on the basic functions of 16 items, trying to find itsnarrative structure inherent meaning. By these 16 terms in a narrative mode functions canbe grouped into four narrative stages: First, the Tomb before preparation; Second, lookfor the tomb; Third, the tomb adventure; four out of the tomb: is the end, but also a newStart.
The third chapter from an aesthetic point of view of the Tomb of the novel language,writing characteristic analysis, it reflects in the context of consumer culture, showing thespirit of public entertainment demands, and reveals the advantages and disadvantagesTomb novels.
Of course, the paper is just to stimulate more researches on the Tomb of the novelappears to regulate the author's creative activity, expand space for development of thenovel, to enrich people's spiritual and cultural life.
Key words:
Tomb novels,consumptive culture,narrative mode,aesthetic construction, genrefiction
目 录
引言
第一章 消费文化语境下盗墓小说的兴起
第一节 时代背景
一、消费文化
二、网络媒介
第二节 文化背景
一、古代神话传说
二、民间文化
三、宗教
四、古代笔记小说
五、好莱坞电影
六、各领域专业知识
第二章 盗墓小说的叙事模式
第一节 盗墓之前的准备
第二节 寻墓
第三节 墓中的冒险之旅
第四节 出墓：是结束，也是新的开始
第三章 消费文化语境下盗墓小说的审美建构
第一节 语言
一、形式创新
二、风格幽默轻松
第二节 虚与实的结合
第三节 同人作品和系列作品
第四节 复制拼贴
一、复制
二、拼贴
结 语
参考文献
致 谢
