目 录
中文摘要
Abstract
绪论
（一）成中英美学思想研究综述
（二）成中英美学思想的研究价值
（三）论文的研究思路、方法及逻辑架构
一、成中英美学思想形成的背景
（一）时代条件
（二）理论基础
（三）个性气质
二、成中英美学思想的基本内容
（一）本体美学
（二）诠释美学
三、成中英美学思想的特点
（一）生存论美学的客观趋向
（二）哲学思想的美学承继
（三）中西比较的思维方式
（四）全球化的美学视野
四、成中英美学思想的评价
（一）成中英美学思想的意义
（二）成中英美学思想的不足
结语
参考书目
致 谢
中文摘要
成中英是第三代新儒家的代表人物之一，他博古通今，学贯中西，着作等身。他最大的成就，就是其熔铸中西方哲学传统而创的“本体诠释学”的哲学理论。成中英的哲学论着当中不乏他对美学的论述和思考，从而逐渐形成了建基于自身哲学的有自身特点的美学思想。及至 2011 年成中英的美学讲演集《美的深处：本体美学》的出版，可以说，成中英的美学思想已经濒于成熟。但是，由于成中英的理论和着作主要集中在哲学方面，美学论着面世较晚，所以当前对他的研究也主要以其哲学思想的研究为主，美学思想的研究则不充足。
成中英的美学思想可以概括为“本体美学”.成中英的美学思想是从他的本体诠释学引申而出的，也可以作为本体诠释学的一部分。他针对当前美学越来越实用化的现象提出“本体美学”,本体美学是一种哲学美学。他用中国哲学的本体补足西方哲学的不足，力图使美学的研究从现象回到本体，回到人自身。本体美学为美学研究提供了一种新的视角和方法，有利于中国美学融入世界不断实现其现代化。论文主要分为四个部分：
第一部分 探讨成中英美学思想形成的背景。笔者认为，“五四”以来，中国传统文化的重建面临重重困难，这是成中英美学思想形成的大背景。本体诠释学是成中英美学思想形成的理论基础。成中英的个性气质则直接助力其美学思想的形成。
第二部分 重点论述成中英美学思想的基本内容。成中英最为核心的美学思想是“美在本体”.成中英认为宇宙和人的本体是相通的，人能够经验并描述宇宙的本体。所以本体就在人的身上，美不在于外在对象，而在于人的内在经验，美是由人的心灵发射的价值。本章从“本体美学”和“诠释美学”两个方面对此观点进行论述。首先是“本体美学”,它是“美在本体”的具体化。
论文从本体美学的内涵和架构以及本体美学的最终发展--生命本体美学来论述本体美学的主要内容。由本体美学的主要内容，得出美的本质即：“美之为主客体间的创造性和谐”.中国的本体美学的主要体现是易学美学，中国本体美学的两种样态是充实和空灵。第二是“诠释美学”,诠释在美学中有两个作用，一是美的形成本身就是人对宇宙本体的经验诠释，二是美学研究也是一种诠释。相对于本体美学来说，诠释美学则是一种不同类型的美学。美是“自本体诠释”和“对本体诠释”的不断循环，美就是有本体性的人不断经验宇宙、宇宙本体不断影响人的循环过程。而当前失掉本体的“问题美学”,实际上就是“诠释美学”的体现。
第三部分 对成中英美学思想的特点进行总结。本体美学从人的存在本身探讨美的本体，强调美感经验，使美学回到人本身，这体现了生存论的美学的客观趋向，这是其美学思想的第一个特点。成中英美学思想自始至终都与他的哲学理论一脉相承。所以，成中英美学思想的第二个特征是哲学思想的美学承继。中西对比的思维方式一直熔铸在成中英的美学思想之中，他“先出乎其外，后入乎其内”,通过学习西方来构筑中国美学的理想取得了很大的成功。
所以，成中英美学的第三个特点是具有中西比较的思维方式。如何在全球化的时代背景下发展中国美学，实现中国传统美学的世界化和现代化是成中英一直立志要解决的问题。所以，成中英美学的第四个特点是全球化的美学视野。
第四部分 对成中英的美学思想进行评价。总体来说，成中英的美学思想有不足也有意义。其思想的意义：首先在于成中英独到的美学感悟对美学界有很大的启发意义；其次，它为中国美学的发展提供了一种新的思维方式和新的理论视角；最后，在促进中国美学世界化和现代化方面，成中英的探索给予中国学人以独到的重要启示。其思想的不足之处：其美学思想不系统、缺乏逻辑性，并忽视审美实际。
关键词：成中英；美学思想；本体美学；诠释美学；特点
Abstract
Chung-ying Cheng is a representative of the third generation of newConfucianism.He is erudite and informed and his greatest achievement is“Onto-Hermeneutics”that rooted in traditional Chinese and western philosophy.Chung-yingCheng's philosophical works have some discussion and thinking aboutaesthetics,thus gradually formed its own characteristics of the aesthetic thoughts basedon its philosophy.When “the depths of beauty:ontology aesthetics ”was published in2011,so to speak Chung-ying Cheng's aesthetic thought has beenmature.However,because of Chung-ying Cheng's theory and works mainly in terms ofphilosophy and his aesthetics on the interview later,so the current research of his ismainly the philosophy research,the study of aesthetic thought is not enough.
Chung-ying Cheng aesthetic thought can be summarized as“beauty in theontology”.Chung-ying Cheng's aesthetic thoughts from his ontological hermeneuticsextended out,also can be used as part of the ontological hermeneutics.He presented“ontology aesthetics”aimed at the current aesthetic is more and more practicalphenomena,ontology aesthetics is a kind of philosophy and aesthetics.He make up theshortage of the western philosophy of ontology of Chinese philosophy,trying to makethe research of aesthetics return from phenomenon to ontology,back to the peoplethemselves.Ontology aesthetics provides a new Angle of view and method ofaesthetics research;it is advantageous to the Chinese aesthetics into the world torealize its modernization.Thesis mainly divided into four parts:
The first part summarizes the background of the formation of Chung-ying Chengaesthetic thought.The author thinks that,since the May 4th movement,thereconstruction of the Chinese traditional culture is facing many difficulties,this is abig background Chung-ying Cheng aesthetic thoughts.Ontological hermeneutics is thetheory basis of the formation of Chung-ying Cheng aesthetic thoughts.Chung-yingCheng's personality directly helps the formation of his aesthetic thought.
The second part mainly discusses the basic content of Chung-ying Cheng aestheticthoughts.Chung-ying Cheng is the core of aesthetic idea is“beauty in theontology”.Chung-ying Cheng think the universe and man are interlinked,people canexperience and describe the ontology of the universe,so ontology in the humanbody,beauty is not the external objects,but in the person's inner experience,the valueIVof beauty is launched from a person's heart.Interpretation of this chapter from the“ontology aesthetics”and“aesthetics”,the essay discusses two aspects to this view.Thefirst is the ontology aesthetics,it is the embodiment of“beauty in the ontology”.Papersfrom an ontology aesthetics connotation and architecture as well as the ontologyaesthetics the ultimate development of life ontology aesthetics to discuss the maincontent of the aesthetics of ontology,by the main content of the ontology aesthetics, itis concluded that essence of beauty:“creative harmony between the main object ofbeauty”.Mainly is to learn Chinese ontology aesthetics aesthetics,two forms ofChinese ontology aesthetics is full and empty spirit.Interpretation is the secondinterpretation“aesthetics”,there are two roles in aesthetics,one is the beautiful formitself is that people's experience of the universe,the second is aesthetic study is also akind of interpretation.Relative to ontology aesthetics,interprets the aesthetics is adifferent type of aesthetics.Beauty is a“onto-hermeneutics”and“onto-hermeneutics”
cycle,beauty is the noumenon of continue to experience the universe,the universeontology affect the person's cycle.And lose the current ontology“aesthetics”,in fact isjust the embodiment of“aesthetics”interpretation.
The third part to summarize the characteristics of Chung-ying Cheng aestheticthoughts.Ontology aesthetics from the very existence of human being ontology ofbeauty,emphasis on the aesthetic experience,make aesthetics itself back topeople,embodies the objective trend of survival theory of aesthetics,this is the firstcharacteristics of its aesthetic ideas.Chung-ying Cheng aesthetic thought and hisphilosophy theory throughout.Chung-ying Cheng,therefore,the second feature ofaesthetic thought is inherit the philosophy of aesthetics.Comparison of Chinese andwestern way of thinking has been rooted in the aesthetic thought of chung-yingcheng,he“caught outside its first,and then into the interior inside”,by learning the westto build China's aesthetic ideal has achieved great success.So,a third aspect of Chung-ying Cheng aesthetics is a comparison of Chinese and western ways of thinking.HowChinese aesthetics under the background of the era of globalizationdevelopment,realize the globalism and modernization of Chinese traditional aestheticsis Chung-ying Cheng has been determined to solve the problem.Chung-ying Cheng,therefore,the fourth characteristic of aesthetics is the aesthetic view of globalisation.
The fourth part to evaluate Chung-ying Cheng's aesthetic thoughts.Chung-yingCheng's aesthetic thoughts,in general,there are also insufficient.The meaning of histhoughts:first is Chung-ying Cheng unique aesthetic feeling of the academic circleshave great enlightening significance;Second,it is the development of Chineseaesthetics provides a new way of thinking and a new theoretical perspective;Finally,interms of promoting worldwide and modern Chinese aesthetics,the exploration ofChung-ying Cheng gives unique important enlightenment to the Chinesescholars.Disadvantages:their aesthetic thoughts system,lack of logic,and ignore theaesthetic practice.
Keywords:Chung-ying Cheng;Aesthetic ideas;Noumenon aesthetics;Interpretationaesthetics;The characteristics
